Wednesday, 23 March 2016

Review of #KapoorAndSons


#KapoorAndSons Since(1921), is a film about family bonding. It is not about a perfect family but it is about a real family where you can identify with each character. Where there is love between family members as well as there is jealousy, doubt, betrayal, differences too but still they are bonded with each other in the time of need. Director Shakun Batra who had made a confident directorial debut with #EkMainAurEkTu has given yet another mainstream commercial film with a different touch.
It is a story set in a small town near Bangalore where Kapoor family lives. The head of the
family is the grandfather who is fondly called as Dadu(Rishi kapoor). Dadu is an interesting character who enjoys porns and joints at the age of 90. He is accompanied by his son Harsha (Rajat Kapoor) and daughter-in-law Shalini (Ratna Pathak Shah). Harsh and Shalini are middle aged couple who are not in a good relationship , they have fights on every day on different issues like money , Harsh’s exytra marital affairs or Shalini’s ambition to be an entrepreneur. They have two sons, elder one is Rahul (Fawad Khan), successful novelist who lives in London. The younger son is Arjun (Siddharth Malhotra) who is a part time bar tender in Newjersy and an aspiring writer. The two brother have cold vibes too based on some issues from their past. This whole family comes together following a heart attack of Dadu. Once they came together lots of secrets came out from their past which lead them to even worse relationship. But at the end they realise no family is perfect but still you need to be there with your family member in their need. Every family member has a responsibility to complement each other.
The story may not sound oven fresh but the screenplay penned by Ayesha Devitre , Shakun Batra is definitely refreshing. Every situation looks real and the reaction of the characters
too. From the beginning there is a hint of tension in the family but that never makes it monotonous because of the regular dose of lighter scenes at regular interval. Also there are secrets which have been revealed towards the end in a perfect timing. The age old Bollywood drama is there but the situations are very new not the tried and tasted clichés. For example when was the last time you have seen a pervert 90 year old grandfather or when you have seen a romantic date in a graveyard? Even the so called love triangle where two brothers are involved with one girl that too has a refreshing end, you have to watch the movie for that. The dialogues are well written and it gives ample scope for comedy as well as it is good enough to create the melodrama towards the end.
As a director Shakun Batra has proved his calibre once again. There is no doubt he is one the finest directors among the directors whom Karan Johar has launched under his production house. Shakun Batra knows how to get the best from his cast and crew that too without being showy or flashy like some other Dharma movies. He never lost the realistic touch yet his movie never compromises with entertainment quotient.
This movie has six main characters and it must be said all are very well cast and all have
done superb job. Rishi Kapoor is excellent with his wonderful makeup. At this age he is doing quite well with experimental characters. One will simply fall in love with this cute as well as wild Dadu. His scene where he sends a video message to his grandsons will surely bring tears in your eyes. Rajat Kapoor and Ratna Pathak Shah are veterans and they have complemented each other really well as middle aged always fighting couple. There are some really loud moments in their fight scenes but still these two actors have managed to make those scenes not too dramatic. Watch these couple in a romantic moment where Rajat Kapoor sings an old Manoj Kumar Song for Ratna Pathak Shah, both of them are superb in that scene.
Among the youngsters it is Fawad Khan who has stolen the show as the Elder brother who is mature and sensible guy with a secret. At the climax you will know it takes guts to do such a role and hardly any regular Bollywood hero would have shown that courage to do such a
character. He is completely at ease in every scene whether it is his emotional scene with his on screen mother or the fun moments with his younger brother and friends. Siddharth Malhotra is good and managed quite well to stand out in the ensemble cast full of talented actors. Though there is scope for improvement in his performance but still he is likable. Alia Bhatt is not the conventional leading lady here rather she is just a part of the big ensemble still she has impressed in her short screen time. She acts like fresh oxygen in between heavy dramatic moments. She is just perfect for the character of a bindaas bubbly girl. You will definitely love her as the “Ladki Beautiful kar Gayee Chul”.  Every time she comes on screen she will bring smile to your face. She has one emotional scene towards the end where she is fabulous. She has a perfect chemistry with both of her male leads.
The technical team has done good job. Editing by Shivkumar V. Panicker is perfect. The cinematography looks fine. One should praise the costume designers not only for making the young leads look fashionable but also for making the costume for the supporting cast very realistic.
There is not much scope for songs here mainly because the romantic track has limited screen time. Still the songs go well with the script. Also there is the chartbuster “Ladki Beautiful” which is already a big hit.

Overall #KapoorAndSons is a very well made film about family bonding. There are fun as well as emotion and it will give you solid entertainment with some superb performances by the whole cast. You should watch it at least once.


Sunday, 20 March 2016

Winners of Times Of India Film Awards 2016 (TOIFA)

Winners of Times Of India Film Awards 2016 (TOIFA)

Best Film

Bajrangi Bhaijaan

Best Director
Sanjay Leela Bhansali - Bajirao Mastani

Best Actor in a Leading Role (Male)
Ranveer Singh - Bajirao Mastani

Best Actor in a Leading Role (Female)
Kangna Ranaut - Tanu Weds Manu Returns

Best Actor in a Negative Role (Male) 
Nawazuddin Siddiqui - Badlapur

Best Actor in a Comic Role
Deepak Dobriyal - Tanu Weds Manu Returns

Best Film Critic's Choice Awards
Talvar

Best Actor Critics (Male)
Amitabh Bachchan - Piku

Best Actor Critics (Female)
Kalki Koechlin - Margarita With A Straw

Best Debut Director
Neeraj Ghaywan - Masaan

Best Debut (Male)
Sooraj Pancholi

Best Debut (Female)
Bhumi Pednekar - Dum Laga Ke Haisha

Best Supporting Actor (Female)
Priyanka Chopra - Bajirao Mastani

Best Supporting Actor (Male)
Anil Kapoor - Dil Dhadakne Do

Best Playback Singer (Female) 
Shreya Ghoshal - Mohe Rang Do Lal (Bajirao Mastani)

Best Music Composer 
Sanjay Leela Bhansali - Bajirao Mastani

Best Lyricist
Varun Grover - Moh Moh Ke Dhagey (Dum Laga Ke Haisha)

Best Playback Singer (Male)
Papon - Moh Moh ke Dhagey (Dum Laga Ke Haisha)

Lifetime Achievement Award
Amitabh Bachchan

Best Song of the Year
Hamari Adhuri Kahani - Jeet Gangauli

Best Album Winner
Roy (Ankit Tiwari, Meet Brothers, Amal Mallik)

Best Jodi Of The Year award
Ranveer Singh - Bajirao Mastani
Deepika Padukone - Bajirao Mastani
 

Thursday, 18 February 2016

Nominations for Zee Cine Awards 2016


Nominations for Zee Cine Awards 2016
Best Film
Bajirao Mastani
Margarita With A Straw
Masaan
Piku
Tanu Weds Manu Returns

Best Director
Meghna Gulzar - Talvar
Neeraj Ghaywan - Masaan
Sanjay Leela Bhansali - Bajirao Mastani
Sharat Katariya - Dum Laga Ke Haisha
Shoojit Sircar - Piku

Best Actor Male
Amitabh Bachchan - Piku
Irrfan Khan - Piku
Nawazuddin Siddiqui - Badlapur
Ranveer Singh - Bajirao Mastani
Vicky Kaushal - Masaan

Best Actor Female
Deepika Padukone - Piku
Deepika Padukone - Bajirao Mastani
Kalki Koechlin - Margarita With A Straw
Kangana Ranaut - Tanu Weds Manu Returns
Priyanka Chopra - Bajirao Mastani

Supporting Actor Male
Anil Kapoor - Dil Dhadakne Do
Deepak Dobriyal - Tanu Weds Manu Returns
Gajraj Rao - Talvar
Nawazuddin Siddiqui - Bajrangi Bhaijaan
Sanjay Mishra - Masaan

Supporting Actor Female
Divya Dutta - Badlapur
Huma Qureshi - Badlapur
Konkana Sen Sharma - Talvar
Shweta Tripathi - Masaan
Tanvi Azmi - Bajirao Mastani

Negative Actor
Darshan Kumaar - NH 10
Deepti Naval - NH 10
Gajraj Rao - Talvar
Nawazuddin Siddiqui - Badlapur - Don't Miss The Beginning
Neeraj Kabi - Detective Byomkesh Bakshy! 

Best Performance in Comic Role
Deepak Dobriyal - Prem Ratan Dhan Payo
Kapil Sharma - Kis Kisko Pyaar Karoon
Nawazuddin Siddiqui - Bajrangi Bhaijaan
Paresh Rawal - Dharam Sankat Mein
Sanjay Mishra - Dum Laga Ke Haisha

Debutant Director
Abhishek Dogra - Dolly Ki Doli
Harshavardhan Kulkarni - Hunterrr
Kanu Behl - Titli
Krish - Gabbar Is Back
Neeraj Ghaywan - Masaan

Best Debutant (Female) 
Bhumi Pednekar - Dum Laga Ke Haisha
Harshali Malhotra - Bajrangi Bhaijaan
Ridhima Sud - Dil Dhadakne Do
Shivani Raghuvanshi - Titli
Shweta Tripathi - Masaan

Best Debutant (Male) 
Kapil Sharma - Kis Kisko Pyaar Karoon
Shashank Arora - Titli
Siddhant Saksule - Gour Hari Dastaan- The Freedom File
Vaibhav Tatwawadi - Bajirao Mastani
Vicky Kaushal - Masaan

Best Music
A. R. Rahman - Tamasha
Amaal Malik (Sooraj Dooba Hai) Roy
Anu Malik (Moh Moh Ke Dhaage) Dum Laga Ke Haisha
Sanjay Leela Bhansali - Bajirao Mastani
Shankar Ehsaan Loy (Phir Bhi Yeh Zindagi) Dil Dhadakne Do

Best Choreography
Ganesh Acharya (Malhari) Bajirao Mastani
Pandit Birju Maharaj (Mohe Rang Do Laal) Bajirao Mastani
Remo D'souza (Deewani Mastani) Bajirao Mastani
Remo D'souza (Pinga) Bajirao Mastani
Remo D'souza, Suresh Mukund, Vernon Monteiro (Bezubaan) ABCD 2

Best Lyrics
A. M. Turaz (Aayat) Bajirao Mastani
Irshad Kamil (Agar Tum Saath Ho) Tamasha
Sanjeev Sharma (Bhor) Masaan
Siddharth - Garima (Mohe Rang Do Laal) Bajirao Mastani
Varun Grover (Moh Moh Ke Dhaage) Dum Laga Ke Haisha

Best Playback Singer (Male) 
Arijit Singh (Gerua) Dilwale
Arijit Singh (Sooraj Dooba Hain) Roy
Mohit Chauhan (Matargashti) Tamasha
Papon (Moh Moh Ke Dhaage) Dum Laga Ke Haisha
Vishal Dadlani (Malhari) Bajirao Mastani

Best Playback Singer (Female)
Monali Thakur (Moh Moh Ke Dhaage) - Dum Laga Ke Haisha
Shreya Ghoshal (Deewani Mastani) Bajirao Mastani
Shreya Ghoshal (Mohe Rang Do Laal) Bajirao Mastani
Shreya Ghoshal and Vaishali Mhade (Pinga) Bajirao Mastani
Swati Sharma (Banno) - Tanu Weds Manu Returns

Best Cinematography
Aseem Mishra - Bajrangi Bhaijaan
Avinash Arun - Masaan
Manu Anand - Dum Laga Ke Haisha
Pankaj Kumar - Talvar
Sudeep Chatterjee - Bajirao Mastan
i

Thursday, 4 February 2016

Review of Saala Khadoos


Saala Khadoos is yet another sports film where a coach who has a disturbed past in his own career, finds a raw talent and mentors his disciple to get on the top of success. The story has nothing new to offer even the sport Boxing is also not new to Bollywood. But in spite of all these while watching the film, you will be glued to the screen till the end to witness every ups and downs of the struggle of the protagonist because of the superb performance of the whole cast and the emotional connect of the story.

Adi (R.Madhavan) is a boxing coach who has been transferred to Chennai as part of politics involved in Sports association to find new talents from there. He has been charged for sexual
harassment so that he can be transferred. In Chennai, Adi finds unpolished talent in a local short-tempered fish seller Madhi(Ritika Singh). Madhi is the sister of Lakshmi (Mumtaz Sorcar) who is taking coaching in boxing in local Boxing academy where Adi has been transferred. Madhi knows skills of boxing but she is not so serious about taking it as a career. Adi finds raw talent in her which needs to be polished. He decides to help Madhi achieve the success what she deserves. But he has to convince Madhi, her family as well as academy to give chance to a new talent. Adi gives his full effort as well as spends his own money to help Madhi in every possible way. But as expected the journey is not that easy for Madhi. There are many odds like poverty and opposition in family, politics in Sports academy, jealousy from the co-athlete (elder sister here) and also Madhi's crush for her own mentor Adi. But together Adi and Madhi fights all the odds and finally she wins the world championship.

The story is not that refreshing. It has been told that it is inspired from many true stories but if you are a regular to underdog stories based on the background of sports you can find it has been inspired from many such movies. Even the screenplay is also very predictable still it
need to be said there are enough emotional moments in the screenplay to make you feel concerned for the on screen characters. The climax is wonderful; it will definitely bring tears to your eyes as the underdog you were supporting finally wins. There are two other factors which are not so new but still are refreshing. One is sibling rivalry between two sisters as two co-athletes and another one is the romantic angle between a mentor and protégé. It is quite natural for a young student to get attracted to her mentor in spite of the huge age gap and that emotion has been captured here beautifully.

As a director Sudha Kongara has chosen a safe subject which can connect easily with the audiences but credit should be given to Sudha for creating such a reliable environment with all the realistic characters. The locals of Chennai has been captured such realistically which is very rare in Bollywood movies. It has given the story very refreshing feel.

Every actor is in superb form in this movie. R. Madhavan has surprised us as a rough and
tough boxing coach which is quite different from the romantic hero image he had in Hindi movies. He has transformed himself physically as well mentally for this character. He has skilled the game of boxing very well at any point it doesn't look that he is faking it. He is arrogant angry but still he will steal your heart. Watch him in the climax sequence where he has acted brilliantly in that emotional scene. His teary eyes will make your eyes moist.

Ritika Singh who is a boxer in real life is a revelation. Her performance is one of best by any
debutante actress in many years. Being a boxer it is quite easy for her to look real in the boxing ring but her talent is not limited in the rings only. She is just awesome in every scene. Just like her on screen character she herself is raw talent who can shine as an actress. She has a cute face and charming screen presence. Hope this young girl will have a successful career ahead in acting.

Among the others Bengali actress Mumtaz Sorcar has made a confident debut as Lakshmi. Though she has very less to do but still she manages to leave impression. Zakir Hussain is very efficient as the mean pervert academy head Dev Khatri. He is wonderful in the negative role. One will definitely love to hate him. Naseer is a wonderful actor and here too he impresses in his short but powerful role of a junior coach. Special mention must be made of casting director Mukesh Chhabra for assembling a bunch of talented actors in the cast.

Technical team has done a good job. All the boxing matches have been choreographed very authentically. Tom Delmar’s action and ‘Stunner’ Sam’s stunts are very well. Cameraman Sivakumar Vijayan has captured the locals of Chennai as well as the boxing matches very well. The dialogues have been written nicely specially the ones written for the character of Adi. The music composer Santhosh Narayanan is new to Bollywood and the songs sounds refreshing but there are too many songs specially in the first half which acts as roadblock to the main story.

Overall Saala Khadoos is a movie about the success story of an underdog which has enough emotions with which everyone can relate. Also it has some really awesome performances by the leading cast. At the end one will feel connected with the story and will have feeling of satisfaction when coming out of the theaters. Go and experience it.



Monday, 25 January 2016

Review of Airlift


Airlift is a movie based on a real incident which has made an entry in Guinness world record marked as the biggest human evacuation ever when 17000 Indians had been evacuated from Kuwait to India. After watching the movie every Indian will think why such brave stories are just present there in the record books why not we all know the story of those brave Indians, why we do not get to see such stories regularly in form of a movie? Really there are so many untold stories in India's glorious past. We are really thankful to director Raja Krishna Menon for choosing this subject. 

This film is a fictional representation of the original incident which took place in 1990. There were two Indian Business tycoons in Kuwait who had actually leaded the whole procedure which has been merged here in a single fictional character as Ranjit Katyal. Ranjit Katyal (Akshay Kumar) is a business tycoon in Kuwait who do not consider himself as an
Indian, he has complain about everything related to India even Bollywood songs. He has a successful life, fame , money, a beautiful wife Amrita(Nimrat Kaur) and a lovely daughter. But his picture perfect life gets devastated when Saddam Hussain attacks Kuwait and Iraqi soldiers start to kill every Kuwaiti. At this time Ranjit realizes that how helpless he is in spite of having money and status, he could not even save his driver from getting killed by the soldiers. At this moment he realizes if there is anything which can save him that is his identity as Indian which he had tried to forget, as the Iraqi soldiers are not killing Indians. But still they have to leave the place to be safe as it is really hard to prove everyone that he is Indian. He decides to leave the place with his family but at this moment he finds all the Indian workers who used to work for his company as well as their family and friends have surrendered their future to him. They have came to him with a hope that he will do something for them. In such a crisis Ranjit takes the responsibility of the whole group of Indians to provide them a shelter. Initially he just starts to arrange a refugee camp for them but soon he becomes involved with all of them and everyone gets connected with each other with one identity that all of them are Indian. He tries to get political support from  Indian Embassy to Indian External Affairs Department to Baghdad Foreign Ministry but most of them refused to help him except one Joint Secretary in Indian Ministry Sanjeev Kohli (Kumud Mishra), with his collaboration Ranjit finally succeeded in his mission to evacuate all those Indians safely to India.
Although we know the ending very clearly from the beginning still the screenplay has been written in such a way that there is gripping thrill till the end. In every moment there is a fear of danger and an adrenaline rush going through the audiences. While watching the film you will actually get involved with the struggle of all those refugee Indians. You can feel joy when they are happy, you can feel tensed when they are in problem. There are different characters with different flavor in the refugee camp with whom you can identify. There is person like George(Prakash Belwadi) who always have something to complain or a sad silent young guy Ibrahim(Purab Kohli) looking for his lost wife. Together they have made a group which everyone can relate to. The dialogues by Riteish Shah are good and not too dramatic still gives required punches.

As a director Raja Krishna Menon should be applauded for choosing such a brave subject. He has done exceptionally well to represent a real life incident in very engaging and enjoyable commercial film format, it describes a real life incident but not in a documentary style. He has to deal with a group of junior actors who represents teh whole group of Indian refugees, for most of the part og teh movie and it is quite difficult to manage such a huge group of inexperienced actors but Raja Menon has done it quite efficiently. Hope he will continue to entertain us with such interesting subjects.

Akshay Kumar is an actor who is continuously delivering good films in recent past maintaining diversity in choosing subject and character. He has proved that he is an actor who can deliver more than just stunts and comedy. In Airlift he has delivered one of his career best performance where he has underplayed his character so well. Here he is not like a regular commercial hero rather he has played very emotionally challenging character and he is just perfect in every frame. He is the live wire of the film.

Akshay has been ably supported by Nimrat Kaur. She is not an actress to be fitted in regular commercial film heroine roles but here she has been caste in a suitable character of Amrita Katyal , a supportive wife and a responsible mother. She has not much scope but she managed quite well to look and act perfectly. She leaves her mark in one particular monologue sequence where her character speaks on behalf of her husband. 
Among the others Purab Kohli is impressive as the loner husband who is looking for his lost wife. Prakash Belwadi looks perfectly annoying as the always complaining George. Inamul Haq who has made a comeback after one and half year has done good job in the negative character of an Iraqi General though his accented Hindi speaking is a bit annoying. 
All others supporting cast is very good in their small roles. Here the credit should be given to the casting director for choosing such good actors in small but important roles as part of the huge crowd of Indian refugees.

The technical team has done very good job to recreate the period of 1990 in Kuwait. Production designer Mushtaq Stationwala has done an excellent job to recreate the devastated and destroyed Kuwait. The same can be said for the sound design and costume designers for making it look and feel so authentic. The cinematography has been done superbly by Priya Gupta. There is very little scope for songs still as it has been produced by a music company so there must be songs here and there. The song "Sochn Na Sake" sounds melodious rest of the songs are just okay, better be avoided.

Overall it is a well made film which has its heart at correct place. It tells the story of the glorious past of our country in a very engaging thriller format. It has some faults but as one of the film's dialogue says, it is very easy to find fault in others but it takes guts to attempt even to fail, so we can just overlook the small faults and give big thumbs up to the film for attempting this subject. Watch it to salute those brave Indians who helped each other in a crisis situation. 


Friday, 22 January 2016

Review of Bengali movie Bastushaap


When Kaushik Ganguly makes a film one can be assured that he is going to experience an unique subject, same happens with #Bashtushaap. We all know about Bashtu is an ancient Indian practice to design your home correctly to bring happiness and prosperity in your home.But Mr. Ganguly has taken this concept to another level and showed us the true path for happiness. To be happy one need to restructure his inner self not interiors of the house. To be happy one have to come out his self made prison of his past guilt and have to forgive himself as well as the persons around him.
The film begins with two friends cum business partner Kushal (Parambrata Chatterjee) and Timir (Kaushik Ganguly), they both are very different in age and nature but they are very friendly with each other and work together as Bashtu and Fengshui consultant. They get an assignment from Arjun( Abir Chatterjee) to do a Bashtu check of his house in Darjeeling. Arjun is an ex-army officer who lives with his wife Banya(Raima Sen) and his widow sister Antara (Churny Ganguly). Arjun is very much frustrated and unhappy and dealing with lots of family problems specially after a road accident where he had a leg injury which caused him to left his job. Also Antara's husband and son died in the same incident. Arjun who don't believes in Bashtu but still want to try it as he wants to bring back happiness in her house at any cost. When Kushal and Timir reach Darjeeling they got introduced with every family member from Arjun's family. Also they found each one have their own share of secrets as well as guilt from there past. Even Kushal and Timir have their own set of disturbed past but unlike Arjun's family members they have come out of their past to give life a fresh start. Kushal gets surprise to meet Banya as they were connected with each other once upon a time. Will that past relationship between Kushal and Banya will have any impact on their present life? Will Kushal and Timir be able to bring back happiness in Arjun's house? That you have to watch in theater. 
The strong point of the story is while watching the movie everyone will be able to connect with their own life to some extent as all of us have gone through some bad phase and regrets in our life and many of us want one magician who can bring happiness in our life.The lesson given in the movie will definitely help you to get the solution to your own problems. That's the magic of the story. The screenplay has been written so well that you will be engaged from the beginning till the end. The way it unfolds the past and present of each of the characters is really interesting. Specially the flashback track of Kushal and Banya has been merged very well in the screenplay. Here one thing needs to be mentioned that there is only five characters and mostly the movie has been shot with these five characters in few fixed location, still it never looks boring as the scenes are so well written and well enacted. Even the climax is very thought provoking, do we really need someone from outside to make us happy or it should come from within ourselves.
As a director Kaushik Ganguly gets full marks. He has done full justice to every department from extracting wonderful performance from his cast and crew to set up the story convincingly in the backdrop of Darjeeling. His perfection is visible in every minor detailing.

Among the actors all five has done brilliant job. Abir Chatterjee has played a character which is quite different from the characters he has played so far. His character is not a negative one but has grey shades. He is someone trying to portray himself very strong but is suffering inside out of guilt. Abir has perfectly portrayed the complex emotions of his on screen character Arjun. Not only on emotional ground rather also he has worked perfectly on his body language too as a person suffering from leg injury. 
After a long time we see Parambrata Chatterjee doing something out the cliche roles. Here he has acted very well coming out of his typical mannerisms. Here he has got a chance to act in two different phases of a same character as the story goes back and forth showing the past and present of Kushal. Both the phases of the characters have different shades,the present Kushal is more confident composed Bashtu consultant but in the flashback story he is lesser matured and going through an emotional crisis. Parambrata has efficiently worked on the two different states of the character. His body language and screen presence shows the difference in Kushal's past and present.
Same goes for Raima Sen, she too has to enact two different phases of the character Banya. In the flashback sequences she is a helpless wife struggling hard to give support to his hospitalized husband. In the present situation Banya is a lonely housewife who suffers from her husband's negligence also she is a bereaved mother who is separated from her son. Raima has played both the parts brilliantly but we like her more as the lonely housewife Banya. Her inner pain and suffering has been well expressed with her eyes. It is one of her career best performance.
Churny Ganguly is a terrific actress. She has played a very complex character of Antara. Antara is a widow who is suffering deeply for her loss and is in mentally unstable situation but she pretends to be as normal as possible. Churny has done full justice to these moody character who can be harsh at one time and can be soft in the next minute. The mental instability of Antara is clearly visible in the body language and expressions of Churny Ganguly.
The last but not the least is director Kaushik Ganguly himself. The mystery is still unresolved Kaushik Ganguly is a better director or a better actor. We can only say he is a master of both. Here he has comparatively lesser screen time but every time he says anything it will bring laughter to your face. He has underplayed his character very well providing interesting comic relief. Watch him in the scene where Timir does a shootout duel with Arjun , he is too good in that scene.


Everyone in the technical crew has done good job. The film has been shot mostly in indoors but whenever given a chance cinematographer Gopi Bhagat has captured the scenic beauty of Darjeeling wonderfully. The editing has been done superbly by Subhajit Singha. The flashback and present scenes has been merged very well. The music has been composed by Indradeep Dasgupta and the songs are very melodious. Every song has been blended in the story very well so it adds an extra weight to the emotional moments of the film.

Overall Bastushaap is an engaging film with a superb performances and a solid message. Go and watch it to adjust the Bastu of your inner-self probably it will help you to have a better life.



Saturday, 16 January 2016

Winners of 61st Britannia Filmfare Awards



Best Actor in a Leading Role (Male)
Ranveer Singh - Bajirao Mastani

Best Actor in a Leading Role (Female)
Deepika Padukone - Piku

Best Film
Bajirao Mastani

Best Director
Sanjay Leela Bhansali - Bajirao Mastani

Best Debut Director
Neeraj Ghaywan - Masaan

Best Debut (Male)
Sooraj Pancholi - Hero

Best Debut (Female)
Bhumi Pednekar - Dum Laga Ke Haisha

Critics' Choice Best Film Award
Piku

Critics' Choice Best Actor (Male)
Amitabh Bachchan - Piku

Critics' Choice Best Actor (Female)
Kangna Ranaut - Tanu Weds Manu Returns

Lifetime Achievement Award
Moushumi Chatterjee

Best Actor in a Supporting Role (Male) 
Anil Kapoor - Dil Dhadakne Do

Best Actor in a Supporting Role (Female) 
Priyanka Chopra - Bajirao Mastani

Best Playback Singer (Male) 
Arijit Singh - Sooraj Dooba (Roy) 

Best Playback Singer (Female) 
Shreya Ghoshal - Deewani Mastani (Bajirao Mastani)

Best Story
Vijayendra Prasad - Bajrangi Bhaijaan

Best Music
Ankit Tiwari, Meet Bros. Anjjan and Amaal Mallik - Roy

Best Lyrics
Irshad Kamil - 'Agar Tum Saath Ho' (Tamasha) 

Best Dialogue
Himanshu Sharma - Tanu Weds Manu Returns

Best Screenplay
Juhi Chaturvedi - Piku

Best Costume Design
Anuj Modi, Maxima Basu - Bajirao Mastani

Production Design
Sujit Sawant, Saloni Dhatrak, Sriram Iyenger - Bajirao Mastani

Best Sound Design
Shajith Koyeri - Talvar

Best Background Score
Anupam Roy - Piku

Best Cinematography
Manu Anand - Dum Laga Ke Haisha

Best Action
Sham Kaushal - Bajirao Mastani

Best Choreography
Pandit Birju Maharaj (Mohe Rang Do Laal) - Bajirao Mastani
Remo D'Souza (Pinga)- Bajirao Mastani

Best VFX
Prana Studio - Bombay Velvet

R.D. Burman Award
Armaan Malik